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Made on cotton paper soaked in creek water and dried in the sun behind the duo's Asheville studio. The ink was milled from local silt; the marks were laid down to the rhythm of an unreleased song of the same name.
The work is meant to be lived with — pinned, not framed — and will continue to shift slightly with humidity over the first year of ownership.
“The land already drew the picture. We mostly just held the paper still.”
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